Kategoria BISAC: Literary Criticism >> Modern - 17th Century

This is the first volume to explore the reception of the Pythagorean doctrine of cosmic harmony within a variety of contexts, ranging chronologically from Plato to 18^th-century England. This original collection of essays engages with contemporary debates concerning the relationship between music, philosophy, and science, and challenges the view that Renaissance discussions on cosmic harmony are either mere repetitions of ancient music theory or pre-figurations of the 'Scientific Revolution'. Utilizing this interdisciplinary approach, Renaissance Conceptions of Cosmic Harmony...

First published between 1982 and 1983, this series examines the peculiarly American cultural context out of which the nation s literature has developed. Covering the years from 1620 to 1830, this first volume of "American Literature in Context" examines a range of texts from the writings of the Puritan settlers through the declaration of Independence to the novels of Fenimore Cooper. In doing so, it shows how early Americans thought about their growing nation, their arguments for immigration, for political and cultural independence, and the doubts they experienced in this ambitious...

On the night of November 4^th 1605, the English authorities uncovered an alleged plot by a group of discontented Catholics to blow up the Houses of Parliament with the lords, princes, queen and king in attendance. The failure of the plot is celebrated to this day and is known as Guy Fawkes Day.

In Poets, Players and Preachers, Anne James explores the literary responses to the discovery of the Gunpowder Plot in poetry, drama, and sermons. This book is the first full-length study of the literary repercussions of the conspiracy. By analyzing the genres of poems, plays,...

The royal judge was an archetypal character in French tragedy during the 17^th century. This figure impersonated the king by asserting his judicial authority and bringing order to an otherwise chaotic world.

In Passing Judgment, Helene Bilis examines how an overlooked character-type--the royal judge--remained a constant of the tragic genre throughout the 17th century, although the specifics of his role and position fluctuated as playwrights experimented with changing models of sovereignty onstage. Her readings analyze how this royal decision-maker stood at the...

In early modern Europe, pressure from the Protestant and Catholic Reformations, the growing might of the Ottoman Empire, and New World encounters meant that an unprecedented number of people were confronted by new beliefs and changing religious identities. Conversions brings together leading scholars from across the disciplines of literature, history, art and architectural history to investigate the interlinked transformations of gender and religious identity in this turbulent period.

A lively Afterword by Professor Matthew Dimmock (University of Sussex) drives home...

First published in 1972, this book provides a helpful introduction to burlesque literature, a term used by critics from the seventh-century onwards to describe work in which an incongruity between serious subject-matter and style is used to provoke laughter. It examines the four main types of burlesque writing: Travesty, Hudibrastic, Parody and the Mock-Poem, as well as dramatic burlesques.